In Rotation
Collections
Four lines, in strict rotation. Nothing is discounted to make room; earlier collections are re-shown until they sell through — full record on the Archive page.
Fig. 01Autumn / Winter 2026
Concrete Silk
A study of softness against rigidity. Bias-cut silk slips sit beneath armor-plated wool outerwear; concrete-grey cashmere meets liquid satin. The collection questions what protection means when worn rather than built.
24 pieces · current
View Collection
Fig. 02Spring / Summer 2026
Salt & Ash
Inspired by coastlines after the tide — bleached linen, sun-crushed cotton, and washed silk in the pale spectrum. Silhouettes loosen; the body is suggested rather than framed. Garments engineered to move with coastal wind.
31 pieces · current
View Collection
Fig. 03Autumn / Winter 2025
The Wool Papers
An archive-driven study of tailoring as document. Each look is built from a single paper pattern, exhibited alongside the finished garment. Structured shoulders, drafted volumes, and a strictly monochrome vocabulary.
27 pieces · archive
View Collection
Fig. 04Couture — Ongoing
Linen Monolith
A rolling couture series with no season. Nine monumental pieces in sculpted linen, each taking between three hundred and eleven hundred hours. Commissioned individually; shown only twice a year by appointment.
9 pieces · ongoing
View CollectionThe Archive Sale is a thing we do not have.
When a collection sells through, it is gone. When it does not, it waits — at the same price, in the same room. Fashion taught us urgency; we chose to unlearn it.